Anna Nezhnaya
CV
*1987 | Moscow, Russia |
2004–2010 | Diploma Graphic Arts, State University of Printing, Art and Graphics, Moscow |
2014 | BA Fine arts and art history, Caspar-David-Friedrich-Institut, Universität Greifswald |
2018–2020 | MA Class Prof. Christian Frosch, Caspar-David-Friedrich-Institut, Universität Greifswald |
Lives and works in Berlin |
Solo exhibitions
2023 | Lab, Evelyn Drewes | Galerie, Hamburg | |
2022 | MIRROR, Chausseistrasse 131, Berlin | |
Flashing Lights, Circle Culture Gallery, Berlin | ||
2021 | Down the Rabbit Hole, ForA Artspace, Berlin | |
2020 | Succubus, Gallery K90, Berlin | |
2019 | A LOT ON MY PLATE. TAPAS NOT FOR SUGAR DADA, Clärchens Ballhaus, Berlin | |
FIAT LUX (Duo), UferHallen, Berlin |
Group exhibitions
2022 | Gekaufte Liebe, No Gallery, Berlin | |
Issue #003, THE VAPORWAVE ISSUE, Chausseistrasse 131, Berlin | ||
An endless curve, Circle Culture Gallery, Berlin | ||
HOTMESS, Kühlhaus, Berlin | ||
2021 | p.l.u.r. fire, Haus der Statistik, Berlin | |
the artist as curator’s art vol. XI, Schau Fenster, Berlin | ||
Ceremony, Haus am Lützowplatz, Berlin | ||
Gods And Monsters, Kunstverein Familie Montez, Frankfurt | ||
Direkte Auktion, Galerie Die Ganze Freiheit, Berlin | ||
Beauty Bomb, ISSMAG gallery, Moscow, Russia | ||
2021 | A Rolling Stone Gathers No Moss, BARK BERLIN GALLERY, Berlin | |
PORTAL #2, Luigi Solito Gallery, Naples, Italy | ||
Cross-side Crystal Hybrid Orbital, HVW8 Gallery, Berlin | ||
2020 | PORTAL, Schau Fenster, Berlin | |
Iconostasis of hypocrisy, Haimney Gallery, Barcelona, Spain | ||
Drawing Wow 2, KUNSTSAELE, Berlin | ||
Trouble diaries. Failure is the mother of success, MAMM Equador |
With a biographical background in graphical arts and art history, Anna Nezhnaya explores traditional imagery in the context of the present. She explores sacred places in everyday life, spiritual currents in the Western world and their transformation in the recent past. To this end, she combines digital drawings and painting with light art to create a visual experimental field from which her iconic neon sculptures emerge. Nezhnaya's works oscillate between objectivity and abstraction, and between manual and digital practices. Her approach often deals with concepts of identity in the post-internet age. Through her paintings and light objects, she seeks to make the fine line between physical and virtual reality artistically productive. As a student of the painter Andrej Golder, she also develops experimental painting techniques to innovatively design surface structures. In her signature works, the artist reflects on aspects of a grotesque feminism and explores images of femininity from the realms of mysticism, metaphor, and contemporary culture.