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Editions
ARNO BECK
The First Million Is The Hardest (Sad Smiley)
57,5 x 42 cm
Pigmented ink on paper (pen plotter drawing)
12 Unique edition
Sold
The fact that digital images are based on information rather than material makes the process of translation into physical existence central to Arno Beck as a painter. The goal is to make digital images tangible and physically experienceable while subverting the slipperiness of technology.
BRAM BRAAM
Nightwalk
24 x 25 x 3 cm
Steel, concrete, sticker, paint, photo cardboard
Unique
800 EUR
The search for the pristine traces found in our urban environment - a landscape dominated by architecture - are the starting point for the work of Dutch artist Bram Braam. This search manifests itself in a sculptural and poetic representation of materiality and decay. (Sarie Nijboer)
CIGDEM AKY
Neuordnung 1023
21 x 29,7 cm
Wooden pencil on paper
Unique
Sold
Painting as a science, that is, minus anything that could be interpreted into it. Nothing representational, nothing that could trigger associations with the audience, no metaphysics, but full control. Only form and color and light (relationships). Painting as an experimental arrangement. (Hansjörg Fröhlich)
HIROFUMI FUJIWARA
neutopian aqua
27 x 20 x 17 cm
Epoxy, resin
Unique edition
Sold
Hirofumi Fujiwara is inspired by the diversity of people he encounters in his everyday life. When observing these multifaceted personalities, however, the artist does not so much claim to reproduce them in detail. Rather, he is on the lookout for details of the many, diverse people you collect for his artistic projects. (Elisa Hornacek)
PETER HEIKENWÄLDER
01/05
31 x 24 cm
Pastel chalk, charcoal on drawing cardboard, distance framing
5 Unique edition
880 EUR (incl. framing)
In Peter Heikenwälders drawings organic-amorphous elements stand, float, move in a dark but not impenetrable pictorial space. Each layer reacts to the one before it, and each layer, however shadowy, remains visible at the end. Heikenwälder's abstract vocabulary of forms, plays-without concretely leading to a narrative context-with the viewer's own worlds of experience and thus generates associations of representationalism; it provokes our imagination and yet leaves everything open.
PETER HEIKENWÄLDER
02/05
31 x 24 cm
Pastel chalk, charcoal on drawing cardboard, distance framing
5 Unique Edition
880 EUR (incl. framing)
PETER HEIKENWÄLDER
03/05
31 x 24 cm
Pastel chalk, charcoal on drawing cardboard, distance framing
5 Unique Edition
880 EUR (incl. framing)
PETER HEIKENWÄLDER
04/05
31 x 24 cm
Pastel chalk, charcoal on drawing cardboard, distance framing
5 Unique Edition
880 EUR (incl. framing)
PETER HEIKENWÄLDER
05/05
31 x 24 cm
Pastel chalk, charcoal on drawing cardboard, distance framing
5 Unique Edition
880 EUR (incl. framing)
STEFFEN KERN
House and Gate (Blue Small Window)
10 x 10 cm
Colored pencil on paper
12 Unique edition
750 EUR
You think you know them, these places, and yet they are not part of the usual and everyday. They are perfect. Without traces of use and without the imprint of time, they become models, prototypes of our imaginary cosmos. The collective memory of the Western world, its dream of efficiency and flawlessness constitute the pictorial treasure that Steffen Kern's art reflects. (Cathrin Klingsöhr-Leroy)
STEFFEN KERN
House and Gate (Yellow Two Windows)
10 x 10 cm
Colored pencil on paper
12 Unique edition
750 EUR
STEFFEN KERN
House and Gate (Purple Double Window)
10 x 10 cm
Colored pencil on paper
12 Unique edition
750 EUR
JOHANNES KERSTING
The Bounderies of Nothingness
37 x 50 cm
Pigment print, framing in shadow gap
8 + 1 AP edition
700 EUR (incl. framing)
Small, everyday observations, details of unspectacular utilitarian architecture and unusual lighting situations come together to form a puzzling puzzle of observation; new pictorial inventions of virtual reality, of digital space do the rest to undermine the viewer's comprehension. Ultimately, it remains to be said that Johannes Kersting follows a will to explore, to wrest new aspects from the specific traditions of painting and photography and to transfer them into a liberated concept of the image.
LI-WEN KUO
Stilles reifen
30 x 40 cm
Ink, acrylic on paper
Unique
Sold
Li-Wen Kuo does not shy away from ontological access to the world, but knows about its impossibility. Wildly swirling geometric forms recur again and again, recognizable representational contours are not taboo. Ontology is the simple that is difficult to make. Complex stratifications become visible in her paintings: No surface without depth and no depth without surface. The intricate relationship between surface and depth is not only evident in the relationship between title and images, but is prefigured as the effect of multiply staggered surfaces. (Christian Benne)
MICHAEL PELTZER
o.T.
40 x 30 cm
Collage on paper
Unique
550 EUR
Found, collected, old and new result in important source materials for the artist Michael Peltzer. His collages are independent, but also offer again and again approaches for his painting. Composed of collected magazines, daily newspapers, illustrated books, postcards or copies, new worlds emerge that can often be further processed as a pictorial motif or idea. (Gisbert Danberg)
ACHIM RIETHMANN
Iran (Rote Hände)
30 x 23 cm
Watercolor on paper
Unique
Sold
Global and social exceptional situations form the thematic starting point of Achim Riethmann. These can be natural disasters, accidents, but also armed conflicts. He uses press images, images from the Internet or his own photos, from which he appropriates certain sections and uses them as a template for his painting. With human figures, he is usually concerned with the role that this figure fulfills in a crisis situation. The fragments used, in contrast to pictorial elements not depicted, create a field of tension for thematic as well as spatial interpretations, both in terms of content and form.
Every month another edition is published that deals with a current occasion.
ACHIM RIETHMANN
20.02.2023 (türkisch-syrische Grenzregion)
30 x 23 cm
Watercolor on paper
Unique
800 EUR
CHARLIE STEIN
Company Asset (Cyberdyne) (Reboot)
29.7 x 21 cm
Colored pencil on paper, framing
Unique
980 EUR
The creatures that populate the imagery of artist Charlie Stein's paintings and drawings appear contemporary and modern in their aesthetics. They borrow from visualities of social media and pop cultural phenomena. Put on paper with colored pencil, these traditional media of artistic creation lend a timelessness to the highly topical, often futuristic-looking motifs and encourage us to ask questions beyond obvious present-day references. (Elsa Mack)
